Music | June 26, 2008 | Comment on this video (26)

Rock Punk Couture

aferraro
A rock musician in the downtown NYC rock scene with a unique sense of style Michael H was introduced to fashion at an early age by his older "brother" Tommy Hilfiger. Michael H eventually veered from his major label recording contracts to focus on making "Rock Punk Couture". He has since designed clothing for The Rolling Stones, David Bowie, Aerosmith, David Johansen and many others.
http://www.dehoghton.com
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26 comments // Rock Punk Couture // Video

  • scenedrop
  • Jcazmusic
  • aferraro
    • 0
      aferraro  
    • WHY PUNK ROCK HAS EVERYTHING TO DO WITH FASHION

      The New York Effect
      In the early 1970s, the socioeconomics of New York City were no better than London's. Local rock groups were reinventing music and style in protest against what had become perceived as the star-centered, showy, and elitist mentality of '60s super-groups such as the Rolling Stones and the Beatles. These local bands, such as the New York Dolls and performer Richard Hell, were breaking down barriers at the infamous proto-punk club, Max's. Hell was well known for his nihilistic lyrics and wearing of self-styled ripped T-shirts bearing slogans like "Please Kill Me." The original fanzine of the era, PUNK, was published in New York City and is credited with the first use of the term. Malcolm McLaren, Westwood's boyfriend and "partner in crime," was living in New York during this time and briefly managed the New York Dolls. According to punk lore, McLaren took this radical New York aesthetic back to London, where he opened the SEX clothing shop with Westwood and managed the Sex Pistols, creating a media frenzy and a prosperous symbiotic relationship between music and fashion that effectively set the tone of popular culture for decades to come.

      Anarchy in the U.K.
      Westwood, a former schoolteacher, was the seamstress in the SEX shop partnership with McLaren and made manifest their combined punk vision through her creations. Westwood designed both her and McLaren's clothing before they opened their first store, Let It Rock, in 1971. Let It Rock catered to the "Teddy Boy" subculture, which was a 1950s revival look. In 1972, they renamed the store Too Fast to Live, Too Young to Die, and changed the focus to emphasize the emergence of the Marlon Brando-influenced rocker/biker style that was popular at the time. In 1974, they again changed the name of the shop to reflect McLaren's new shock tactics, this time to SEX, where they sold S&M (sado-masochistic) inspired clothing, met the Sex Pistols, and added their punk line, Seditionaries,4 in 1976.5 SEX was the center of the punk fashion scene and many young punks hung out, worked, or bought clothes there when they could afford them. Shrewd entrepreneurs, Westwood and McLaren were instrumental in defining and marketing the punk look at the precise moment that it was taking the streets of London by storm.

      -Shannon Bell-Price
      The Costume Institute, The Metropolitan Museum of Art

    • 3 years ago
  • t_666
  • AkiraChevelle
  • leguia
  • kylahlouise
  • Fhay_A
  • pstoddard
    • 0
      pstoddard  
    • This guy makes rock stars look like rock stars, and does it well.

      Interesting character and very well produced piece.

      Nice work.

    • 3 years ago
  • VSiskos
    • 0
      VSiskos  
    • I would think that punk rock culture is ALL couture. Individuality and expressing yourself is its basic premise, ya?

      The piece was awesome! Great job!

    • 3 years ago
  • COREYIS
  • malathion
    • 0
      malathion  
    • if i see you in a $2,000 pre-distressed leather jacket at a show , i'm going to kick your face in and grind your head under my boot heel . ( to all the "posers" )

    • 3 years ago
  • Ricky84
  • COREYIS
  • Ricky84
    • 0
      Ricky84  
    • malathion:

      I hear this sort of thing all the time on the internet. However in the real world I never hear this sort of thing. That’s because there is a clear divide within the counter culture as to what punk is and the likeminded flock to the appropriate group.

      For me punk is kinda like the USA. It started off based on some really great ideas. Subsequent generations added to those ideals or in some cases swapped the message or attitude to fit their own taste.

      The problem is when you look at punk today the majority of it hardly represents the foundation. Commercialism and hype have taken over. Bands no longer represent the any-guy concept. Instead through videos and clothing they attempt to market themselves as individualistic gods.

      They perform instead of play and purposefully shag their hair with product. Lyrics are watered down and the message is generalized so it reaches a broader base. They also pose a lot too. That pisses me off more than anything.

      If you’re in to that sort of thing so be it. I can no more change your opinion then the democrat who screams for socialized medicine and the 11 trillion dollar price tag that goes along with it. The only thing you really need to understand is that not everyone embraces punk for what it’s become. I certainly wasn’t turned on to the genre by flashy clothing

    • 3 years ago
  • COREYIS
  • blue_blooded
    • 0
      blue_blooded  
    • i like how he said " you don't wanna be a poser" ironic...
      in my opinion, if you pick out your clothes because it'll "make you look punk " you are posing.
      the pod is well done, but the content is dumb

    • 3 years ago
  • malathion
  • lagan
  • neckfire
  • Ricky84
  • lynnedjones
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