Art and Style | June 14, 2009 | 0 comments

Elusive Graffiti Artist Infiltrates Bristol Museum

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The iconoclastic graffiti artist Banksy unveils his largest project to date this weekend, when the doors of Bristol’s City Museum & Art Gallery are flung open to reveal that he has “remixed” the entire building. Renowned for infiltrating museum collections without their knowledge, Banksy has this time sought co-operation from the museum’s director and used it to install marble statues of drunken ladettes and paedophile bishops amid the columns of the three-storey Edwardian baroque building. A burnt-out ice-cream van replaces the usual information counter as a policeman in riot gear rocks perpetually on a fairground horse. The sound of chicken nuggets singing fills the vast rear hall, and a live leopardskin coat sleeps on a branch. Among the museum’s collection of old masters, an oil painting of parliament is now entirely populated by monkeys.

Elsewhere, the museum’s permanent collection has been infiltrated in more subtle ways — the vitrine holding locally produced pottery now shares space with a used hash pipe (also locally produced) and the life-size Bristol biplane suspended from the ceiling provides refuge for a Guantanamo Bay escapee.
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