Philip Glass' 'Kepler' has U.S. premiere at BAM
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The starry sky is regular subject, spiritual circumstance or actual setting of Philip Glass’ work. His latest opera, “Kepler,” given its American premiere at the Brooklyn Academy of Music Wednesday night, is about the German astronomer who identified the elliptical orbits of our solar system. The composer couldn’t have been more at home.
Among Glass’ 23 operas are “Galileo Galilei” and two others based on Nobel laureate Doris Lessing's “Canopus in Argos” series of science-fiction novels. “The Voyage” opens with Stephen Hawking meditating on space-time and an alien spaceship crashing onto Earth; it ends with Columbus taking his final journey on his deathbed into outer space.
Astronauts in space ships, nebbishes having out-of-body experiences, pensive mystics pondering unknown realms, an ancient Egyptian king becoming one with the sun -- these are situations enhanced by Glass’ repetitive melodies, moody harmonies and propulsive rhythms.
But in “Kepler,” Glass’ yin-yang style gains new advances. More than ever before, the same kind of music can express going somewhere or nowhere, a physical or spiritual state, a secular and sacred condition.
Among Glass’ 23 operas are “Galileo Galilei” and two others based on Nobel laureate Doris Lessing's “Canopus in Argos” series of science-fiction novels. “The Voyage” opens with Stephen Hawking meditating on space-time and an alien spaceship crashing onto Earth; it ends with Columbus taking his final journey on his deathbed into outer space.
Astronauts in space ships, nebbishes having out-of-body experiences, pensive mystics pondering unknown realms, an ancient Egyptian king becoming one with the sun -- these are situations enhanced by Glass’ repetitive melodies, moody harmonies and propulsive rhythms.
But in “Kepler,” Glass’ yin-yang style gains new advances. More than ever before, the same kind of music can express going somewhere or nowhere, a physical or spiritual state, a secular and sacred condition.
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