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King, a professor at Santa Barbara, has spent decades collecting things that nobody else would want: food packages and labels (he has about eighteen thousand), illustrations snipped from old dictionaries (seven thousand), linings of “security” envelopes (eight hundred patterns), “the mute, meager, practically valueless object, like a sea-washed spigot, its mouth stoppered by a stone.” What makes this book, bred of a midlife crisis, extraordinary is the way King weaves his autobiography into the account of his collection, deftly demonstrating that the two stories are essentially one.
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