Why didn't Todd Bridges star in John Hughes' film, "The Breakfast Club?"

Ben_Hoffman
Ben Hoffman sits down with former "Diff'rent Strokes" star Todd Bridges to discuss his new autobiography, "Killing Willis." In this exclusive outtake, Todd tells the story of meeting John Hughes and the possibility of being cast in "The Breakfast Club." Except, it turned out, Hughes and his producing partner had no idea how to write about black kids' lives.

Watch the full interview from infoMania here: http://current.com/1vl9g4c

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13 comments // Why John Hughes Never Made the Black "Breakfast Club" // Video

  • walesjames
    • 0
      walesjames  
    • I just want to apologize for my previous comments. They trivialized the debate regarding race in cinema and reflected a poor understanding of the complexities involved on my part. I'm going to shut up and make sure I'm better informed and sober the next time I post anything. I'm sorry for my ignorant statements.

      Ok, I am shutting up now.

    • 2 years ago
  • stolenapples
  • Argon18
  • ddhboy
    • 0
      ddhboy  
    • Image
    • Same reason why black characters in movies still suck.

      Every movie that features a black character always has to throw in a stereotype of some sort, because the writers, who are mostly white male believe that they have to throw in some sort of black hook to make the character appear black. Its the same reason why the ever so rare asian character always has to speak Japanese, Chinese, Korean or whatever recognizable asian language half of the movie, or eat sushi, bonus points if they know someone in the triads.

      So while the white characters are free to be independently minded (unless they're in a mostly minority movie/TV show, then they become the token white guy/girl) black characters and other minorities always has to have to fill some role that is deemed appropriate for a minority character, like a magical negro, wise old black guy, thug, sassy black woman, suave loverman, effeminate gay black guy, jungle savage, etc. Perhaps the worst are the movies where some white character, more often now a woman, goes into some minority neighborhood and teaches the minority kids to read/not use drugs/believe in themselves as though by default.

      A recent example of this sort of typecasting is in the movie The Blind Side. Although the movie is based on a true story, it was chosen for release as a movie because it falls within accepted norms for a story like this. Basically in these types of movies the black kid is always a tall muscular fat guy who is uneducated (usually illiterate) and has some sort of family disfunction, in the 80s and 90s it was likely that he would have been a crack baby. Anyway, he usually takes the form of King Kong, especially when he is placed next to the white blond female protagonist, who's job is to save him. This is basically the template for many of the black characters you will see in a major motion picture unless the actors are famous, in which case they'll fall into one of the many roles I stated otherwise. Precious also falls subtlety into this role. although she doesn't have a white heroine, her inspiring friend was altered from the novel format where she was a dark skinned girl with dreads to a light skinned girl.

    • 2 years ago
  • D_Roman
    • 0
      D_Roman  
    • Now that I look at it, Bridges would have fit in well with the rest of the Breakfast Club. Of course, he does have a point, "there's always a brother in detention somewhere."

    • 2 years ago
  • trut
  • Erich_Tisnado
    • 0
      Erich_Tisnado  
    • Doesn't surprise me. John Hughes movies always had some little borderline racist comments or events in them. For example, the parking attendants in Ferris Beuhler, the comment about having a 'black one'... a black guy (huge shock)?!? No a black car; a pink guy' in Sixteen Candles. The Donger was certainly a characterture of Asian stereotypes....Stuff like that. Not overtly racist, but kind of insensitive. Not to mention, he never seemed to have any African American or Latino folks with speaking roles. The only minorities in JH movies were all the 'weirdo' roles.

    • 2 years ago
  • Mike_Graham
    • 0
      Mike_Graham  
    • Who exactly is applying the racism here - "there's always a brother in detention somewhere"? I wonder what he would have said had the producer made that comment.

    • 2 years ago
  • Argon18
    • 0
      Argon18  
    • http://www.youtube.com/watch?v=89Ou-iK2_kQ

      That's not the craziest story about John Hughes or as Kevin Smith wrote in Dogma "That fucking guy" since he had lots of trouble writing for white people also especially teenagers.

      I guess the problem with it is when people try to put to much stock in his movies like trying to find the town he put in them called Shermer, Illinois

    • 2 years ago
  • HelloMyWorld
  • flyingkick
    • +1
      flyingkick  
    • I'm not really understanding the point of this story.
      The producer is honest and upfront telling Bridges he doesn't know how to write for a Black character. If the producer was really racist, he would just tell Bridges the part had been filled or something. And instead of engaging the producer in an open discussion on race, Bridges abruptly leaves.

      The problem for a while was that White writers THOUGHT they knew how to write for Black characters, and then just ended up either stereotyping them or white-washing them. At least the producer was honest about that fact. Bridges could have stepped up and tried to work with the guy.

    • 2 years ago
  • ozoneocean
    • 0
      ozoneocean  
    • flyingkick:

      "The same why your write for white people".
      That says it all ;)
      He was too stupid to realise that he didn't HAVE to write for black people to have a black person in his film. That's the point of the story.

    • 2 years ago
  • PolytheneLucy
    • 0
      PolytheneLucy  
    • flyingkick:

      So why didn't he hire a Black writer? Most of the people telling these stories you see on screen are white. They are not acknowledging the diverse experiences that happen in, say, Chicago, let alone America. The people currently "up there" have just a narrow view of what American life is really like. This is why we need more people of color in all industries. More experiences, more points-of-view, better services for society.

    • 7 months ago
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