LoveLife | July 20, 2009 | 9 comments

What Can't Art Just Shock?

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St_Alia_10191
"Dash Snow, the New York artist who died this month, was responsible for a rolling piece called Nest Project. It consisted of shredded paper, bodily fluids, and graffiti about bestiality, Abraham Lincoln's drinking binges and a "gang bang at Ground Zero". As one writer said after Snow's death: "He simply didn't give a shit." Most people would not regard this as praise for a working artist. Proper nihilists don't bother to make art, and if they were forced to do so – under, say, a community service order – why would they bother to make it any good?

Perhaps, as people said, Snow was just out to shock. What's wrong with that? Nobody seems to think there's anything wrong with art being poignant just for the sake of being poignant, or angry just for the sake of being angry, or beautiful just for the sake of being beautiful. So shock seems a perfectly legitimate effect. It is a slightly lumphammer approach, though, because shock is an unsubtle state. To be "in shock" means your faculties are more or less paralysed. These will tend to include the aesthetic, emotional and discriminatory ones. And if you've really shocked the audience, you may find yourself running out of moves. Soon you're playing the fire alarm, not the piano.

There's extremity of form (Stravinsky, free verse, cubism) and there's extremity of subject matter. They don't necessarily go together, though they often have. In literature, Burroughs, Ballard, Hubert Selby Jr and their like were formal experimentalists as well as experiential extremists. Shock comes in and out of fashion but largely has two purposes. One is to kick against internalised rules and formal conventions. The other is to kick against externally imposed norms, such as censorship and social disapproval.

What's interesting is that, when it comes to shock, the different arts seem to be out of phase with each other. The big shock of modernism arrived in verse, painting, music and dance at around the same time: the beginning of the 20th century. In terms of material and subject matter, though, the genres are all over the place. For the last few years, being shocking has been one of the qualities most prized by critics and collectors in the visual arts. Rotting meat, funny plastic kiddies with penises instead of noses, sex and drugs, self-exposure, bodily mutilation and so forth. While shock and going to extremes is still hotly important to the producers and consumers of fine art, other art forms – ones that have struggled harder with censorship and notions of decorum – seem to be well over it. Theatre's last major convulsion of shock was probably a decade or so ago, with work by the generation that included Sarah Kane and Mark Ravenhill.

Literature has left all this even further behind. Somewhere between Ulysses and the unbanning of Last Exit to Brooklyn, books established the right to say whatever they liked – and they now do so with gay abandon.

So why is it that fine art still seems to be fighting these battles? It was in fine art, after all, that these battles were first and most decisively won. You could look at a Courbet or a Schiele quite happily, while the Obscene Publications Act was still breathing down the necks of other artforms. It can't but make shock retro: artists whose primary concern is still to Question The Very Nature Of Art, end up playing more or less sterile variations on Manzoni's tinned poo and Duchamp's pissoir.

But hold. I don't want to piss on Dash Snow's grave. And yet – don't you think? – it's what he would have wanted."
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9 comments // What Can't Art Just Shock?

  • artemis6
    • 0
      artemis6  
    • You are right about that , cztheday , intimidation . I had almost forgotten about it . Some insecure artists lack a certain , generosity . Some business people encourage this . I suspect , it is used to wrangle sales . It's wrong . Personally . I do not want to tell someone what it means , not because it is a riddle only the clever can solve , but , because , to have any meaning to the viewer , it must be a personal one . For instance , my interpretation of your dreams might not give much insight . However discussing them with me , might . Ultimately you must meet them on your own terms though . It is the same with art . Art is a conversation the culture has with itself , one individual at a time . It is actually important to have dialogue about it . No conclusion needs to be made , nor is any final . Not your cup of tea ? Maybe later . Maybe , never . My definition of an artist is , one who's job it is to express the nature of the culture in which they live . Both the conscious and unconscious . We create public myths . Expose nightmares . So , whatever you see when you look at art , whatever you feel , ( hey , it has taken me decades to sus the levels meaning of some things , and I made 'em ! ) is right . In fact it is an absolute travesty to buy someone else's interpretation unless , it rings true for you . Art comes natural to humans . Children know it . The only thing that separates artists from other people is that ( in most cases ) we practice what we do to a level no regular person would . No different that any other professional . Well , okay , a little different . Thanks for the compliment . Your insight and perspective is a delight , as always .

    • 2 years ago
  • cztheday
    • 0
      cztheday  
    • Great article! Great thread! I admire all of you for commenting on this article because in my view it takes a certain amount of courage to discuss one's responses to Art -- especially "controversial" Art (it is pretty easy, for example, to line up in support of Ansel Adams' gorgeous, often jaw-dropping photography. It is not so easy to express one's thoughts about a performance Art piece when you are afraid you may be the only member of the audience who doesn't "get" the point of the performance.)

      Artemis, your counterpoint to the prevailing wisdom of the others is exceptionally thoughtful, and your prose is so well constructed, it feels more like telepathy than the written word - inspiring.

      The reason I mentioned the foregoing is that I think one of the greatest tragedies in modern America is that so many people have come to be so INTIMIDATED by Art. There is this sense that the inability to appreciate certain pieces or art forms reflects badly on the intelligence or taste of the observer.

      Such feelings are often encouraged by the artists themselves who, understandably I suppose, can't accept the possibility that after dropping fifty grand on art school and ten years of barely making rent in The Village they still can't produce work that moves people.

      In fact, there is great Art and terrible art and everything in between. And even great Artists are quite capable of laying the proverbial smelly egg on occasion. The most important thing, it seems to me, is to come to each piece with a mind that is as open as possible. There is nothing at all wrong with being in the minority (even a minority consisting of one person) who thinks a given piece is awful or wonderful -- so long as you are sufficiently generous to grant that others' tastes and perceptions differ from your own. I cringe when I hear the phrase, "That's not Art!" not because I would deny the speaker's right to judge the merits of the piece but because the speaker might unduly influence or prejudice the minds of those who might take something meaningful from the piece that the speaker simply may be incapable of appreciating.

    • 2 years ago
  • artemis6
    • 0
      artemis6  
    • War is the ultimate performance shock art . Where do you go from there ? I do not think you can justly separate art from the times and the culture it was made . It is an expression of these things . Art is not created in a vacuum . Context gives it meaning . Even the famous statue of David , however magnificent , is also a statement about the power of the church . And a great bit of marketing it was too . An artist friend of mine was criticized because her art was too "political " . That is a good sign of its relevance . I fear that people have been robbed of the fun of thinking deeply in our superficial fast paced , push of a button , automatic world . Life , like art , is change . Life shocks . Truth shocks . Art shocks . No compromise .

    • 2 years ago
  • masterzip
    • 0
      masterzip  
    • art created for shock value is immediately time stamped to the date created, as shock is a one time happening, and progressive. Past art that has shocked us will not do so anymore, because it is no longer shocking. Shock has a limited capacity to hold out attention for the small moments that it is shocking

    • 2 years ago
  • eden49
    • 0
      eden49  
    • There are so many different genres coming under the umbrella, called "Art"!!!!! For me, a Turner, Rembrandt, and a Van Gogh, take my breath away...as in theatre...etc etc...(too many excellent examples to mention)...however, when does "shock" just become rubbish...apropos...regurgitating milk, human faeces, rotting meat...this whole subject is a Pandora's Box, and I have not the artistic wherewithal to elaborate, but from my point of view...bodily crap is not art...sorry, Eden...

    • 2 years ago
  • unclecharlie
    • 0
      unclecharlie  
    • Started living on the street at the age of 13? No wonder he was so screwd up! It is surprising he lasted as long as he did- before overdosing. Truly a lost soul. Art is not art if its sole pupose is to offend, and apparently, he used art as a vehicle to offend.

    • 2 years ago
  • pjacobs51
    • 0
      pjacobs51  
    • Image
    • What is that you say? You are not a rich, wrinkled rock star and you don’t have buckets of cash? No problem. Just follow this simple formula for American shock art.

    • 2 years ago
  • Mike_Johnston
  • St_Alia_10191
    • 0
      St_Alia_10191  
    • I have a harder time accepting art that is made seemingly without any technical skill that accepting art that was created simply for its shock value. Either way I'm not paying for it.

    • 2 years ago
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