tagged w/ Documentary Short
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On the 11th of January 2012, Current UK announced that BSkyB had withdrawn support for the channel and that we are now very likely to stop broadcasting by mid March 2012.
In her article in Broadcast magazine our Cheif Executive Jane Mote asks: "what channel will give producers the freedom to be bold now?"
New doc voices need an outlet
The barrier to entry has come down firmly against fresh documentary voices in the British TV industry with Sky’s decision to pull funding from Current TV at the 11th hour, with no notice or negotiation.
The UK’s only dedicated documentary channel – which is rooted among nearly 300 new storytellers nurtured over many years – is almost certain to close.
There’s no point in whingeing. Of course Sky has the power to do this and, frankly, independent channels like ours remain small, leaving us helpless to take it on. So much for plurality.
But what happens next to the new voices that struggle to get a platform on the hundreds of remaining channels in the UK? Morgan Spurlock will be okay; he’s a big enough name to get a job with McDonald’s – sorry, I mean Sky Atlantic – and I’m certainly not going to judge. He needs to earn his crust after all.
But those Brits starting out will have to try to get in on the reduced strands on the PSBs, where competition is so fierce and format freedom so rare that is hard to get your story heard – especially for the outspoken and opinionated, who may not be commercially valuable and are too problematic for those worried about igniting political interference.
Our supporters, viewers and producers alike are worried that there is nowhere left for (using their words) “brave, challenging, thought-provoking, unbiased and risk-taking TV”. No doubt Sky will create or buy an ‘off-the-rack’ channel that purports to do something similar. But Current’s roots run deep in the British documentary ecology and supporters believe it cannot be replicated at a stroke.
Andy Glynne, chief executive of the Documentary Filmmakers Group, the biggest UK collective of documentary film-makers, says he’s turned from being a loyal supplier to Current to being an advocate – for two reasons. First, unlike many broadcasters, we don’t pay lip service to new talent.
“Current supports rather than intimidates, trusts rather prescribes, and allows genuinely new film-makers from all walks of life to get started,” he told me. Second, he believes Current takes risks with form and content, allowing a freedom to both explore and defy convention with docs.
“It’s this risk-taking, and the inclusion of authorial voices, that seems to be ebbing slowly out of the genre, especially in today’s leanings towards the format,” he says.
His views are echoed in so many different voices and styles on our message boards. There is a real sense of grief here. Viewers and producers have lost a home, a place where they were guaranteed a gem of a story or a sympathetic ear to listen to them and nurture their stories.
Their grief offers hope. We are down but not out because we’ve sown seeds of belief that TV can be truly open to new voices, ideas and opinions.
We have 20,000 Twitter followers and some very loyal supporters and viewers – revolutions have been won with less. The important thing is, as Bob Helvey says in Ruaridh Arrow’s film How to Start a Revolution: “As long as we don’t surrender, we never lose.”
It’s not over until the fat lady sings and I am willing to put on a few pounds if it means regaining the ground pulled from under democratic TV’s feet.
//Ends
Subscribers to Broadcast magazine can read the article here.
On the 11th of January 2012, Current UK announced that BSkyB had withdrawn support... more
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Many years ago, during my time as a child and through young adulthood, I was immersed in the (sometimes solitary) lavish joys of nature in rural South Carolina. The memories of the steaming, dusty red clay roads and the smells of downstate piney-woods are now fading away, replaced by years of gritty urban life in Chicago’s inner-city. However, that doesn’t mean that now I’ve become completely blind to the beauty of rural landscapes. I just have to enjoy it from the comfort of a chair, in more climate-controlled conditions. So this video is pretty perfect for me.
“Yosemite HD” is an amazing four-minute time-lapse short art film, a collaboration between Sheldon Neill and Colin Delehanty. They made numerous trips to Yosemite National Park, where they captured the beautiful landscape it offers for visitors every year. Set to “Outro,” from M83′s lovely and stratospheric “Hurry Up, We’re Dreaming,” this might be the best music video you could ask for. So stop whatever you’re doing right now, put this video in full-screen mode and breath very deeply during the film’s duration!
This piece includes colorful high-resolution photographs, as well as the exhilarating short film.
http://disembedded.wordpress.com/2012/01/28/look-homeward-angel-park-pretty/Many years ago, during my time as a child and through young adulthood, I was immersed... more
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Eve Arnold, who came to be regarded as a grande dame of postwar photojournalism for her bold, revealing images of subjects as diverse as Marilyn Monroe and migratory potato pickers, died on Wednesday in London at the age of 99. Born in Philadelphia on April 21, 1912, Ms. Arnold had lived in Great Britain since 1961.
Her death was announced by Magnum Photos, the photography cooperative to which she had belonged for more than a half-century. She was among the first women Magnum hired to make pictures. Ms. Arnold was a leading light in what is considered to be the golden age of news photography, when magazines like “Life” and “Look” commanded attention with big, arresting pictures provided by photographers who included Henri Cartier-Bresson, Gordon Parks, Robert Capa and Margaret Bourke-White.
Acclaimed for capturing celebrities in intimate moments after winning their trust, Ms. Arnold developed a particular rapport with Marilyn Monroe, the subject of a book of Arnold photographs. Foreshadowing the celebrity portfolios of photographers like Annie Leibovitz, Ms. Arnold captured Joan Crawford squirming into a girdle, Malcolm X collecting fistfuls of dollars at a rally in Washington and James Cagney and his wife doing an impromptu dance in a barn.
But other pictures, just as memorable, were of the unfamous. Among the more than 750,000 Ms. Arnold made were pictures in a South African shantytown, a Havana brothel and a Moscow psychiatric hospital. She documented a small Long Island town, Miller Place, and the first minutes of a baby’s life. She was an official photographer on 40 movie sets.
Her many honors include the Order of the British Empire and the Lifetime Achievement Award of the American Society of Magazine Photographers. She was a Fellow of the Royal Photographic Society and named a “Master Photographer” by the International Center of Photography in New York, considered by many to be the world’s most prestigious photographic honor.
This piece includes a number of high-resolution black-and-white photographs, as well as two documentary short films.
http://disembedded.wordpress.com/2012/01/06/eve-arnold-legendary-photographer-of-illuminating-images-dies-at-99/Eve Arnold, who came to be regarded as a grande dame of postwar photojournalism for... more
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The death of Christopher Hitchens on Thursday night, of complications from esophageal cancer at the age of 62, ended one of the greater intellectual careers of the last 40 years. Born in Portsmouth, England, and educated at Balliol College, Oxford, Hitchens started his career as a Trotskyite at “The New Statesman,” working along with noted authors, Martin Amis and Ian McEwan, who would become his lifelong friends. In the early 1980s, he moved to the United States, becoming a citizen in 2007, and began working for liberal magazine “The Nation,” writing some of his earliest attacks on the conservative government and American foreign policy.
A prolific author, Hitchens left behind a massive body of critical writing, with more than a dozen books and hundreds of essays targeting everyone from the British Monarchy to Bill Clinton to George Orwell to God, usually with wit and more often than not, vicious and cutting remarks. Even those who hated his politics could not help but admire his skill as a writer and ability to craft a sharp turn of phrase, and many called him a friend.
Perhaps his most famous book was “The Missionary Position,” a scathing attack on Mother Teresa and her Missionaries of Charity church, an organization that he called a cult. Hitchens described Mother Teresa as a “fraud” and accused her of glorifying poverty to enrich herself and the Catholic church, rather than truly helping the poor. The book infuriated Roman Catholics around the world, as well as politicians and celebrities who he claimed had used the charity and her reputation to mask their own evil deeds.
A later work, “The Trial of Henry Kissinger,” accused the former Secretary of State of “war crimes,” and argued that Kissinger should be prosecuted for “crimes against humanity, including conspiracy to commit murder, kidnap, and torture” for his involvement in atrocities in Southeast Asia and Central America. As a critic of the Bush administration’s use of torture, Hitchens filmed himself being waterboarded to demonstrate the cruelty of the practice. Hitchens claimed that, “The official lie about this treatment … is that it 'simulates' the feeling of drowning. This is not the case. You feel that you are drowning because you are drowning.”
Hitchens had an enviable career arc that began with his own brand of fiery journalism at Britain’s “New Statesman” and then made its way to America, where he wrote for everyone from “The Atlantic” and “Harper’s” to “Slate and “The New York Times Book Review.” He was a legend on the speakers’ circuit, could debate just about anyone on anything and won innumerable awards.
Christopher Hitchens was a wit, a charmer, a troublemaker and was a gift, if it dare be said, from God.
This piece includes color photographs, a photo-gallery and two documentary short films.
http://disembedded.wordpress.com/2011/12/16/remembering-christopher-hitchens-1949-2011/The death of Christopher Hitchens on Thursday night, of complications from... more
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Elderly Animals: Photographs by Isa Leshko
“Elderly Animals: Photographs” by Isa Leshko is a touching five-minute documentary short film created by Mark and Angela Walley at Walley Films, about a collection of extraordinary images by the young photographer Isa Leshko. “Elderly Animals” is a portfolio of luminous photographs that are a moving expression of empathy, as well as a celebration of life. Leshko began the project after she spent a year caring for her mother who has Alzheimer’s disease. Instead of photographing her family, she found an outlet for her experience in this series of portraits of aging farm animals.
Includes photographs and the wonderful documentary short film.
http://disembedded.wordpress.com/2011/12/08/elderly-animals-on-aging-and-mortality/Elderly Animals: Photographs by Isa Leshko
“Elderly Animals:... more
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Jenny Slate‘s post-”Saturday Night Live” success with “Marcel the Shell with Shoes On” is an uplifting tale of picking yourself up after what some would consider a big defeat (being booted from SNL after one season) and creating something even more awesome. Jenny and her fiancee, Dean Fleischer-Camp, created a viral video about a shell with shoes and a lentil hat that currently has 14 million views and is now an Amazon best-selling book. When interviewed by Brian Williams for his new NBC show, “The Rock,” Williams can’t help but melt in the face of little Marcel.
This piece includes photographs and two videos.
http://disembedded.wordpress.com/2011/12/14/brian-williams-interviews-marcel-the-shell-on-national-tv/Jenny Slate‘s post-”Saturday Night Live” success with “Marcel... more
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Maggie Daley, who dedicated herself to children’s issues and the arts, while also zealously guarding her family’s privacy during 22 years as Chicago’s First Lady, died tonight, more than nine years after she was diagnosed with breast cancer. She was 68.
Since disclosing her diagnosis in 2002, for the subsequent nine painstaking years she soothed us with her grace under pressure as a public person making innumerable appearances before crowds and cameras.The news of the death of Maggie Daley sparked memories from many who knew her and saw her handle the role of Chicago’s first lady with such warmth and grace.
“Tonight we grieve for the Daley family,” the current Mayor Rahm Emanuel said in a statement. “Chicago has lost a warm and gracious First Lady who contributed immeasurably to our city. While Mayor Daley served as the head of this city, Maggie was its heart.” Emanuel said her “most treasured role was as a wife, mother, and grandmother. Whether you knew her personally or were among the countless more who loved and admired her, all of Chicago will remember Maggie for the grace and dignity with which she served for twenty-two years as First Lady.”
This piece includes color photographs and a documentary short film tribute.
http://disembedded.wordpress.com/2011/11/24/maggie-daley-chicagos-gracious-first-lady-dies-at-68/Maggie Daley, who dedicated herself to children’s issues and the arts, while... more
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“Freedom from Want” or “The Thanksgiving Picture” is one of Norman Rockwell’s “Four Freedoms” paintings, inspired by President Franklin D. Roosevelt’s 1941 State of the Union Address, known as “Four Freedoms.” “Freedom from Want” was published in the March 6, 1943, issue of “The Saturday Evening Post” and later was included as the cover image of the 1946 book “Norman Rockwell, Illustrator,” written when Rockwell was at the height of his fame as America’s most popular illustrator.
This piece includes a number of high-resolution photographs, a Thanksgiving music video and a delightful documentary short film, “Casey Neistat and His Son Make Thanksgiving Dinner.”
http://disembedded.wordpress.com/2011/11/21/thanksgiving-the-freedom-from-want/“Freedom from Want” or “The Thanksgiving Picture” is one of... more
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I made a 15 minute documentary about yesterday's civil disobedience at the Occupy Wall Street temporary encampment at Canal & 6th when a few protesters took over a privately owned lot. I got lucky and things unfolded right around me.
It follows the civil disobedience action from the initial announcement and excitement through the inevitable appearance by the NYPD. Along the way, it turns out the organizer of this action was not who he seemed to be and there is even a confrontation with an undercover NYPD officer.
I hope you get a chance to check it out. Please feel free to share it. It is registered as a part of the creative commons.
http://www.youtube.com/watch?v=zgWeeA1cRXs&feature=shareI made a 15 minute documentary about yesterday's civil disobedience at the Occupy... more
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“A Year in New York” is an enchanting, emotionally moving five-minute documentary short film by videographer Andrew Clancy, accompanied by Irish singer/songwriter James Vincent McMorrow’s beautiful song “We Don’t Eat.” Sometimes words cannot do justice to life in a big city, as “A Year in New York” so entrancingly confirms. The film reveals that despite the chaos that surrounds urban life, there is a common thread of excitement and resilient optimism.
“A Year in New York” presents the viewer with a stream of quintessential New York visual imagery, from the No. 7 train rolling past Silvercup Studios' iconic film and television complex, to die-hard Rangers fans losing it at Madison Square Garden; from runners and rollerbladers cruising through city parks, to late-night, outdoor summer concerts; from blinking beacons on NYPD police cars, to the sparkling lights of the colossal Rockefeller Christmas Tree, resulting in a stunning homage to the city that never sleeps and to its lucky inhabitants.
This piece includes a number of wonderful high-resolution color photographs, a magnificent photo-gallery and the entrancing documentary short film.
http://disembedded.wordpress.com/2011/11/10/a-year-in-new-york-a-beautiful-visual-symphony/“A Year in New York” is an enchanting, emotionally moving five-minute... more
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“Thinking Aloud on Pleasure and Frustration” is a six-minute documentary short film featuring Adam Phillips, an English psychotherapist/psychoanalyst, literary critic and the author of several well-known books, including: “The Beast in the Nursery: On Curiosity and Other Appetites,” “On Kissing, Tickling and Being Bored,” “Going Sane,” “On Kindness” and most recently, “On Balance.” Phillips has written widely, from a unique psychoanalytic perspective, on a range of themes central to concepts such as the human condition, human suffering, desire, pleasure and the good life. As a practicing psychoanalyst, he offers a refreshingly subtle analysis of these concepts, grounded in the lives of actual persons. Phillips delivers his thoughts here with an unusually open and rich quality of fluid extemporaneous prose.
This piece includes photographs and the engrossing documentary short film.
http://disembedded.wordpress.com/2011/11/09/adam-phillips-thinking-aloud-on-pleasure-and-frustration/“Thinking Aloud on Pleasure and Frustration” is a six-minute documentary... more
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http://vimeo.com/31633486 #new raw footage/documentary/film "Occupy Oakland" 25 10 11 #OccupyOakland
#citisonkaneproject
D.R.Allen Filmhttp://vimeo.com/31633486 #new raw footage/documentary/film "Occupy Oakland"... more
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“One Hundred Portraits from the Occupation” is an emotionally moving photo-documentary by New York City street photographer Joseph O. Holmes. It is a beautiful collection of photographs that brilliantly encapsulates the blend of cultures represented by people participating in the Occupy Wall Street protests at New York’s Zuccotti Park.
Holmes describes his work here as an attempt to present his photographs without editorializing, as an effort to capture the portraits in Zuccotti Park with as little political content as possible. The balance for which he seems to strive is one that allows empathy for his subjects to shine through, but without making the portraits in any way his own political statement. His portraits vividly capture the humanity of these people, countering the hostile and dismissive portrayals with which they too often are labeled.
This piece includes a number of stunning high-resolution color photographs, a photo-gallery and a documentary short film.
http://disembedded.wordpress.com/2011/11/02/occupy-wall-street-one-hundred-portraits-from-the-occupation/“One Hundred Portraits from the Occupation” is an emotionally moving... more
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ast week, an upcoming gallery show of work by the late photographer Tim Hetherington was announced, the inaugural exhibition of The Bronx Documentary Center that was founded earlier this year. The exhibition, titled “Visions,” is a collection of never-before-seen photos by Hetherington, a British-American photographer who lived in Brooklyn. He was a longtime Vanity Fair and CNN contributor who died in April while covering the conflict in Libya, along with fellow conflict photographer and Brooklyn resident Chris Hondros.
It is amazingly ironic that the announcement of the exhibition of Tim Hetherington’s work coincided precisely with published reports that Col. Muammar el-Qaddafi, the erratic, provocative dictator who ruled Libya for 42 years, had finally met a violent and vengeful death in the hands of the Libyan forces that drove him from power.
Hetherington was most famous for his Academy Award-nominated 2010 documentary “Restrepo,” which he filmed with Sebastian Junger in 2007. The film follows the Army platoon assigned to what was then the most dangerous posting in Afghanistan, The Korengal Valley, to clear it of insurgents and gain the trust of the local populace. In the course of the film, the platoon builds a new outpost they name after Juan Sebastian Restrepo, a comrade who was killed during the early days of the 15-month assignment.
On April 20, Hetherington was trailing rebels in the besieged coastal city of Misurata in Libya, when he and Hondros were killed in an explosion from a rocket-propelled grenade. He left behind 40 rolls of undeveloped 220mm film. The negatives revealed a fascinating mix of what Tim called “the theater of war,” men strutting with their guns, as well as landscapes, graffiti, and men firing guns and rocket-propelled grenades in battle. And a vase of plastic flowers in a bullet-marked room. Seventeen of the prints will be on display in the Bronx Documentary Center show as 36- by 30-inch prints hanging from the ceiling on two large wood panels, beginning October 22nd.
This piece includes a number of high-resolution color photographs, a remarkable photo-gallery and five documentary short films.
http://disembedded.wordpress.com/2011/10/25/visions-tim-hetheringtons-theater-of-war/ast week, an upcoming gallery show of work by the late photographer Tim Hetherington... more
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Current TV isn't like any other TV channel we're the place for documentary making as it was intended to be. Opinionated, hard-hitting and always challenging, we show films you wont see anywhere else. Freethinkers will want to be part of the conversation.Current TV isn't like any other TV channel we're the place for... more
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Herb Ritts (1952-2002) occupies photography’s Mount Olympus, along with the most important fashion and glamour photographers of the late 20th Century, including Horst, Richard Avedon, Bruce Weber, and Helmut Newton. His photographs are a pivotal reference in our collective cultural memory; the classical poses of celebrities and models with their clean lines and distinct forms are easily recognizable as his style.
Herb Ritts was self-taught and he took his cues from the desert landscape surrounding his home and his close proximity to Hollywood culture, evident in the graphic quality and visual simplicity of his photographs and the heightened glamour of their subjects. He inserts a sense of rigorous formalism that seems to be inspired by modernist photographers like Edward Weston, August Sander or Man Ray.
The Edwynn Houk Gallery in Zurich recently presented an exhibition of photographs drawn from the collection of the Herb Ritts Foundation. In addition, the J. Paul Getty Museum, Los Angeles, has recently acquired 69 black-and-white images by the late L.A. fashion photographer valued at close to $1 million, given by his foundation in a single transaction that was part gift and part purchase. A Ritts exhibition is being planned at the Getty, drawing in part from the new acquisition, for April 2012.
This piece includes a number of high-resolution photographs, a photo-gallery and a documentary short film.
http://disembedded.wordpress.com/2011/10/15/the-photography-of-herb-ritts-distinctive-portraits-with-monumental-sensuality/Herb Ritts (1952-2002) occupies photography’s Mount Olympus, along with the most... more
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Steven P. Jobs, Apple’s Co-Founder and visionary, who helped usher in the era of personal computers and led a cultural transformation in the way music, movies and mobile communications were experienced in the digital age, died Wednesday at the age of 56. Mr. Jobs had waged a long and public struggle with cancer, remaining the face of the company even as he underwent treatment. He underwent surgery for pancreatic cancer in 2004, received a liver transplant in 2009 and took three medical leaves of absence as Apple’s chief executive before stepping down in August and turning over the helm to Timothy D. Cook, the chief operating officer. After leaving, he was still engaged in the company’s affairs, negotiating with another Silicon Valley executive only weeks earlier.
“I have always said that if there ever came a day when I could no longer meet my duties and expectations as Apple’s C.E.O., I would be the first to let you know,” Mr. Jobs said in a letter released by the company in August. “Unfortunately, that day has come.” By then, having mastered digital technology and capitalized on his intuitive marketing sense, Mr. Jobs had largely come to define the personal computer industry and a wide range of digital consumer and entertainment businesses centered on the Internet.
This piece includes a number of photographs, a documentary and a short film.
http://disembedded.wordpress.com/2011/10/06/steve-jobs-rebel-icon-and-genius/Steven P. Jobs, Apple’s Co-Founder and visionary, who helped usher in the era of... more
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Steven P. Jobs, Apple’s Co-Founder, Former-CEO and visionary, who helped usher in the era of personal computers and led a cultural transformation in the way music, movies and mobile communications were experienced in the digital age, died Wednesday at the age of 56. The death was announced by Apple Computers, the company Mr. Jobs and his high school friend Stephen Wozniak started in 1976 in a suburban California garage. Mr. Jobs had waged a long and public struggle with cancer, remaining the face of the company even as he underwent treatment.
He underwent surgery for pancreatic cancer in 2004, received a liver transplant in 2009 and took three medical leaves of absence as Apple’s chief executive before stepping down in August and turning over the helm to Timothy D. Cook, the chief operating officer. After leaving, he was still engaged in the company’s affairs, negotiating with another Silicon Valley executive only weeks earlier.
“I have always said that if there ever came a day when I could no longer meet my duties and expectations as Apple’s C.E.O., I would be the first to let you know,” Mr. Jobs said in a letter released by the company in August. “Unfortunately, that day has come.” By then, having mastered digital technology and capitalized on his intuitive marketing sense, Mr. Jobs had largely come to define the personal computer industry and a wide range of digital consumer and entertainment businesses centered on the Internet.
This piece includes a number of photographs, a photo-gallery and three videos.
http://disembedded.wordpress.com/2011/10/05/steven-p-jobs-apple’s-co-founder-former-ceo-and-visionary-dies-at-56/Steven P. Jobs, Apple’s Co-Founder, Former-CEO and visionary, who helped usher... more
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“A Revolutionary Project: Cuba from Walker Evans to Now” is a photographic exhibition that looks at three critical periods in Cuba’s history as witnessed by photographers before, during and after the country’s 1959 Revolution. The exhibition juxtaposes Walker Evans’s 1933 images from the end of the Machado dictatorship, with views by contemporary foreign photographers Virginia Beahan, Alex Harris and Alexey Titarenko, who have explored Cuba since the withdrawal of Soviet support in the 1990s. Walker Evans's distinctive photographic style was nurtured by New York in the late 1920s, but it became more fully formed by his 1933 experiences in Cuba.
Virginia Beahan, Alex Harris and Alexey Titarenko look at Cuba in very different ways. In 2001, Virginia Beahan began a multiyear project on Cuba; Beahan’s Cuba is a land of contradictions, full of disappointments and hope, decay and rejuvenating beauty, simultaneously anchored to the past while looking beyond the present.
Through distinct vantage points, Alex Harris probed the country’s propensity for ingenuity as it underwent great transition. His 1998-2003 photographs focus on three icons of the island, the American car, the beautiful woman and the revolutionary hero, as metaphors to explore the distortions with which Cubans and Americans see one another.
Alexey Titarenko’s 2003 photographs of life in Cuba depict people persevering amid varying states of ruin: collecting food rations, fixing long-outmoded cars or playing baseball. Titarenko was drawn to Cuba following years spent photographing his home town of Saint Petersburg, a once-grand city transformed by revolution and slow decay under Communist rule. Titarenko deliberately photographed Havana in much the same way he’d photographed his native St. Petersburg, as a city that has suffered very much from communist policies and communist rule. And so his black-and-white and very dusty gray imagery removes any spark, any color from Havana, which is in fact very colorful.
This piece includes a number of black-and-white and color photographs, a photo-gallery and three documentary short films.
http://disembedded.wordpress.com/2011/10/02/a-revolutionary-project-explorations-of-cuba-from-walker-evans-to-now/“A Revolutionary Project: Cuba from Walker Evans to Now” is a photographic... more
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In the ultimate accolade for the world's mad scientists, spoof Nobel prizes were awarded Thursday night for studies into beetle sex, turtles yawning, the desperation of people dying to urinate and other daffy investigations. The Annual Ig Nobel Prizes, now in their 21st year, were given at Harvard University in front of 1,200 spectators, with real Nobel Prize winners handing out the honors.
This piece includes color photographs and four videos, including a video of the full awards ceremony.
http://disembedded.wordpress.com/2011/09/30/worlds-zaniest-scientists-honored-the-21th-first-annual-ig-nobel-prizes/In the ultimate accolade for the world's mad scientists, spoof Nobel prizes were... more
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