tagged w/ Weegee
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“American Dreams” is a wonderful exhibition that provides a survey of the great American photographers of the 20th century. The exhibition consists of of photographs from arguably the world’s most important photographic museum, George Eastman House, and is currently being shown at Australia’s Bendigo Art Gallery.
The works highlight the pioneering role these American artists have had on the world stage in developing and shaping photography, and the impact these widely published images have had on the greater society. Their far-reaching images helped shape American culture, and had an impact on the fundamental role photography has in communications today. Even more than this, we can see through these artists the burgeoning love of photography that engaged a nation.
These images show us not only the development of photography, but also provide some of the most powerful social documentary photography of the last century. We see extraordinary moments captured in the lives of a wide range of Americans, works that distil the dramatic transformation that affected people during the 20th century: the affluence, degradation, loss, hope and change, both personally and throughout society.
This piece includes a number of high-resolution vintage photographs, a photo-gallery and a documentary short film.
http://disembedded.wordpress.com/2011/06/24/american-dreams-iconic-images-of-20th-century-life/“American Dreams” is a wonderful exhibition that provides a survey of the... more
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Arthur Fellig, better known as Weegee (1899-1968), was the son of an Austrian rabbi, who came with his family from Europe to New York City. Independent-minded, for a time he aimlessly drifted around, did odd jobs and lived in the city’s flophouses. Finally, he discovered photography, a revelation that transformed him into a man with an obsessive mission. From the 1930′s through the mid-1940′s, Weegee was a freelance crime and street photographer for New York City tabloids, ceaselessly prowling inner-city streets during the graveyard shift. He loved the darkest hours, because then he had the photographic turf all to himself, but also owing to the fact that the most evil of crimes are carried out at night, under the cover of darkness.
Always prepared, Weegee stalked the streets in a car equipped with a police radio, a typewriter, developing equipment, a supply of cigars and a change of underwear. He was a one-man photo factory: he drove to a crime scene, took the pictures, developed the film in his car trunk and delivered finished the prints himself. Weegee was well aware of social problems in the city, documenting the struggles of people living through the Depression, the sufferings of people who experienced segregation and violent racial bias attacks, and the hardships of indigent immigrants packed into already poverty-stricken, desolate and crime-ridden neighborhoods of the city, especially the Lower East Side.
Eventually, the glamor of Hollywood beckoned, and Weegee moved there in 1946, where he worked in the film industry as an actor, consultant and photographer. He socialized with big-name Hollywood stars and got small acting parts in films, but he never really felt like he fit into what he called “The Land of the Zombies” and moved back to Manhattan in 1951, where he lived until his death in 1968.
This piece includes a number of vintage black&white photographs, a slide show and three documentary short films.
http://disembedded.wordpress.com/2010/10/10/weegee-remembering-the-american-photographer-who-first-made-night-noir/Arthur Fellig, better known as Weegee (1899-1968), was the son of an Austrian rabbi,... more
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“Exposed” is a photographic collection presently on exhibition at London’s Tate Modern Gallery, which offers a fascinating look at pictures made on the sly, without the explicit permission of the people depicted. With photographs from the late nineteenth century to present day, the pictures present a shocking, illuminating and sometimes witty perspective on iconic and taboo subjects. “Exposed” presents 250 works by celebrated artists and photographers, including Weegee, Guy Bourdin, Henri Cartier-Bresson, Philip Lorca DiCorcia, Walker Evans, Robert Frank, Nan Goldin, Harry Callahan, Lee Miller, Helmut Newton and Man Ray.
The United Kingdom is now the most surveyed country in the world, fostering an obsession with voyeurism, privacy laws, freedom of media, and surveillance, images captured and relayed on camera phones, YouTube or reality TV. Much of “Exposed” focuses on surveillance, and the issues raised are particularly relevant in the current climate, with debates raging around the rights and desires of individuals, terrorism and the increasing availability and use of surveillance. “Exposed” confronts these issues and their implications head-on.
This piece include a number of high-resolution photographs from the exhibition, a slide show and two documentary short films.
http://disembedded.wordpress.com/2010/10/08/exposed-voyeurism-surveillance-and-the-camera/“Exposed” is a photographic collection presently on exhibition at... more
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Weegee was a renowned New York City freelance crime and street photographer who worked like a whirlwind of perpetual motion, running from the mid-1930s into the postwar years. Weegee prowled the streets of New York's Lower East Side non-stop during the graveyard shift.
He took thousands of photographs that defined Manhattan as a film noir nightscape populated with hoodlums and gangsters, Bowery bums and slumming socialites, tenement dwellers and victims of murders, catastrophic fires, domestic brawls and car crashes.
His body of photographic work bestowed an enduring epithet upon New York City: The Naked City.
This article includes starkly powerful vintage photographs, two videos, and an extensive photo-gallery of Weegee's photography.Weegee was a renowned New York City freelance crime and street photographer who worked... more
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