tagged w/ Current Music Presents
-
Stop your bitching about how there are no good albums and nowhere with a conscience to buy them. April 17 -- this Saturday -- is Record Store Day, the annual celebration of independent music stores.
As an independent media company, we're all about supporting our like-minded independent establishments. Not only did we sign the praises of what's probably the coolest the holiday around last year, but we were there when Embedded artists Silversun Pickups even played music from their album swoon at Rasputin Music in San Francisco.
Many of the Embedded Tour Stops also featured artists and bands stopping into their favorite indie spots as well:
K'naan visits FatBeats LA
Black Lips invade Fingerprints for an in-store performance
Fucked Up raid Amoeba Music
Each year, the organizers of Record Store Day create even more awesome videos, activities, and free events for people that love music. This year, Decibel Magazine and RED teamed up to create a mini magazine that features a free, 22-track metal sampler. REM, Them Crooked Vultures, and Embedded Tour Stop artists Passion Pit have all have limited edition box sets and EPs for sale at various shops.
For gear heads, Zoom and Samson have teamed up to create a prize pack full of recording equipment while Sony and Touchtunes are holding a sweepstakes to give away CDs, LPs, and a Sony USB turntable. Some stores are even giving away free t-shirts to celebrate the 17th.
And there wouldn't be record stores full of music to buy without artists supplying albums, so plenty of great bands have gotten involved.
Check out Northern Irish band Two Door Cinema Club talking about the very first and most recent records they've purchased:
Gogol Bordello put together a short but lively song promoting Record Store Day:
Salvador Santana, son of the famous guitar genius Carlos Santana, talks about his earliest experiences wandering record stores and bonding with his father through them:
Head over to RSD TV for droves of exclusive Record Store day clips and extras.
Once you've run that well dry, do yourself a favor and look up where you can find Record Store Day festivities near you. If you're in Hollywood, you might even be able to catch a Smashing Pumpkins' special performance at Amoeba Music.
Stop your bitching about how there are no good albums and nowhere with a conscience... more
-
-
Congratulations to Imogen Heap, who took home a Grammy for engineering her album, "Ellipse"!
Her wifi-enabled dress (check the collar) and signal boosting-parasol may not have been quite as jaw-dropping as Lady Gaga's outfits, but they were eminently more functional.
Congratulations to Imogen Heap, who took home a Grammy for engineering her album,... more
-
-
shana
-
added this
-
2 years ago
- |
-
Current Music is very proud to have five Embedded artists representing in this year's Grammys. We'll be tweeting and blogging about the show tonight, but here's your handy cheat sheet of our home team picks:
+ Silversun Pickups for Best New Artist!
+ Mos Def and Common are both up for Best Rap Album. Mos also has a nod for Best Rap Solo Performance for "Casa Bey," and Common's nommed for Best Rap Performance by a Duo or Group for "Make Her Say" with Kid Cudi and Kanye West.
+ Imogen Heap has already scored the Grammy for Best Engineered Album, Non-Classical (she engineered "Ellipse" herself!). She's also up for Best Pop Instrumental Performance for "The Fire."
+ Death Cab for Cutie's EP "The Open Door" is up for Best Alternative Music Album.
Follow us at twitter.com/current_music and here at the blog for more on the show and awards.
Current Music is very proud to have five Embedded artists representing in this... more
-
-
shana
-
added this
-
2 years ago
- |
-
Four of our eight featured Embedded artists are in big competition categories at the Grammys—more on each of them this week leading up to the telecast on Sunday—but we're also seeing some interesting coverage of how the Recording Academy is using social media in ways that, while not entirely groundbreaking, are a big step for such a bohemoth of the industry.
From Mashable:
The Academy has always tried to manage and keep very careful control over its message and brand. By embracing social media, that means giving up that control. Because while the Academy can connect directly with fans, fans can also connect back. That means accepting criticism and engaging in a discussion in a public way, something that just isn’t the norm for the Academy.
One of the connective tissues is WereAllFans.com, which features the tribute mash-ups that are being used in TV and print ads—more about the Lady Gaga one here—as well as other real-time data visualization. (Again, not exactly groundbreaking, especially at Current. But: cool. Very cool.)
Go in and poke around some to see how much online noise there is about an artist. Here's a screen shot from when I watched tweets about Silversun Pickups (along with Embedded's Imogen Heap and Common, they are among a short list of artists highlighted on this page).
I added one, using the built-in, unalterable hash-tag, and it hovers for a bit before disappearing into the ether. You can also watch streams of YouTube and Flickr submissions. It was all a bit slow, though—I hope on Sunday night it's working at a power that can keep up with fan commentary online.
Then there's the streaming video and, you know, actual show to contend with. Ratings may have been up last year, and the performance list for this year is strong. But will people really tune in to watch?
From NewTeeVee:
For a full 72 hours leading up to the show, live events and behind-the-scenes footage will be featured [on MySpace]. This includes the Sunday afternoon three-hour pre-telecast awards, the Grammys red carpet, and the after party. “It’s the longest stream any awards show has ever done,” said chief marketing officer Evan Greene, with whom I spoke via phone. However, the actual awards will only be viewable on CBS Sunday night — during the broadcast, past Grammy moments and some behind-the-scenes footage will be shown online instead.
As for post-show, there are some familiar, less groundbreaking challenges to getting the whole thing (or even parts of it) online:
The Recording Academy owns the rights to the actual broadcast material, so archiving and distributing live performances for the web isn’t an instantaneous thing, due to the many rights issues involved. “It’s tough to point to a performance prior to the show and say it’ll be available,” Greene claimed. For one thing, even if the record label approves the song for online distribution, the artist might not be happy with how they performed and will thus not allow it to be distributed. And when artists with different record labels and different representation perform together, such as last year when the Jonas Brothers and Stevie Wonder dueted, that only doubles the complications.
We get a lot of questions about why Current hasn't covered more live music, more festivals, more award shows—the short version is a similar "It's complicated." So in that trickle down intellectual property way, we're completely in favor of major organizations that both benefit artists and are responsible to them pushing boundaries on interactivity and real-time social media implementation.
Of course, come Monday morning it's all likely to get overshadowed by whoever scores the water cooler moment of the night.
More nominees:
+ Watch this now: Fanvids become Grammy ad
+ Silversun Pickups land Best New Artist Grammy nodFour of our eight featured Embedded artists are in big competition categories at the... more
-
-
shana
-
added this
-
2 years ago
- |
-
Sometimes you really luck out during a shoot and a band is willing to let you peek inside their creative process. When we were Embedded with Cold War Kids, they were still in the very important noodling around phase of wrapping up production of their third album, with some leftover material they weren't sure how to handle (see the clip above, for example).
Some of those songs wound up on the "Behave Yourself" EP, including "Santa Ana Winds," to which we were treated a very acoustic—including kazoo!—rendition. Check out an exclusive performance of the song below.
Watch all of Embedded with Cold War Kids at Current.com.
More from the blog:
+ Notes from the field: Cold War Kids
+ Even rock stars get sick
Sometimes you really luck out during a shoot and a band is willing to let you peek... more
-
-
shana
-
added this
-
2 years ago
- |
-
Chris Roe, who produced, shot and edited tonight's Embedded with Imogen Heap, has made pieces for Current Music about Sole, Sparta and Crispin Glover. He followed Imogen for some early promotion of "Ellipse," online interactions with fans, and the first live performances of her complex electronic songs live.
Most Embedded featured artists were shot by a small team, usually two or three people total. But Chris works alone, so his time with Imogen is almost entirely captured in his work—and some behind the scenes musings he sent over this week:
Everyone calls her Immi but I never did because it felt like a friend thing. When we met up at KCRW—one of the few radio stations in the states that actually played her musi—she had already been followed by cameras for two years during the making of "Ellipse." She was quite used to being on camera. With some artists, it can take a little bit for them to get used to having a camera in their face. I shoot alone, running sound on my hip, so I think that helps people loosen up quickly. There's really no pretentiousness to Imogen. She's an easy person to establish a connection with and it quickly became a goal of mine to portray that in the piece.
Imogen had just learned how to drive before she came to the states. The first day of filming I was trailing her rented black mustang convertible, and while there were a few close calls she did really well. LA is not the kind of place you want to throw a new driver. Later that day it came time to drive out to Sun Valley in search of a screechy instrument called the waterfone. After I had shot enough b-roll of her driving (and singing), she cranked up The Knife so loud it was almost uncomfortable and we drove the rest of the way getting blasted by the sun and "Silent Shout." Having been a fan of her music before the shoot this was a bit of a surreal moment for me.
I love the shot in the piece where she pulls the bow across the waterfone; it makes a terrible sound, there's a pause and she says half to herself "beautiful." If I had to choose one shot in the piece that described her the most that one would be it—strangely I didn't cut it in until my last pass of the waterfone segment; shame on me. We wandered around this place that had thousands of other instruments and it was quickly clear she was in her element.
On our way back, I had about 30 minutes to get my main interview and get her back to the hotel so she could hop on a plane back to England. I had intended on finding a space inside the instrument warehouse, but it just didn't work. We ended up at Griffith park here in LA and found a tree to put her under to escape the heat. While it's a bit bright and contrasty, the interview ended up being in front of this great yellow (i.e. dead) grass. I felt like this was typical Heap, the serendipity that lead us to this spot. It was perfect and i think ended up being unique compared what is the usual interview setup. It only pops up here or there in the piece but when it does it makes a nice statement.
Like our Embedded shoot with Cold War Kids, our "just along for the ride" approach hit a snag when the artist's own health began to show the wear and tear of trave.
Maybe Embedded is jinxed. The same thing that happened on the Cold War Kids shoot happened to me. Imogen came back to the states to start her tour in California. We were scheduled to shoot the second show of the tour, but by the time she arrived she had gotten very sick and had to cancel a show for one of the first times in her career. So the second show became the first show, and because it was the first time they had put on this stage performance everyone was very tense. She was as gracious as ever but the evening was really building to a crescendo and the shoot became all about that. She spent hours before the show rehearsing in the dark behind the curtain programming and reprogramming her triggers. My goal in that segment was to try and show what it requires to pull these things together and how genuine Imogen was even during what was a very stressful night.
Watch an exclusive sneak peek of the episode over at Spinner.com, then tune in tonight at 11pm EST/8pm PST.
Other behind the scenes blog posts:
+ Notes from the field: Cold War Kids
+ Beyond Embedded: Even rock stars get sick
Chris Roe, who produced, shot and edited tonight's Embedded with Imogen Heap,... more
-
-
shana
-
added this
-
2 years ago
- |
-
Pay attention. There will be a quiz.
1. A section of our new Embedded with Cold War Kids is shot near the Cal Neva resort in Lake Tahoe—a beautiful view also showcased in the Godfather movies:
According to this guide to movies shot in Nevada:
Key Nevada action starts in 1958 as a Corleone child receives his first communion at Tahoe, followed by a celebration at the family's lakeside mansion. The real-life Sam Giancana/Frank Sinatra history at the Cal-Neva Lodge gives Tahoe a historical connection with the mob that made sense to audiences. It's also easy to believe that people with money–dirty or clean–would be drawn to Tahoe's beauty and a compound like the Kaiser Estate. The splendor and peace of Tahoe make a perfect backdrop for a sequence that pits Michael against his brother Fredo in a way that would have horrified their father. The scene in which Fredo goes out on a boat, silhouetted against a darkening, stormy sky, is a classic instance of location melding with action to create unforgettable cinema.
2. While shooting green screen footage for our Make Common's Day video call-out, Common—who appeared in the mob movie Smokin' Aces— taped his five favorite films of all time for the Rotten Tomatoes Show. At number one is, of course:
3. And then there's Washington, DC, where Michael Corelone did time in front of a Congressional inquiry in Part 2. As far as we know, hometown DJs Thievery Corporation never had to actually appear before Congress—but they did suffer a suspiciously timed audit following an anti-war concert they staged in 2003.
Did we miss some other Embedded/Godfather connection? Come up with a serious contender and we'll send you a special gift pack of thanks.Pay attention. There will be a quiz.
1. A section of our new Embedded with Cold War... more
-
-
shana
-
added this
-
2 years ago
- |
-
This Wednesday we've got a special bonus episode of Embedded with the always fiery, sometimes shy indie rockers Cold War Kids. The band performs at a Lake Tahoe casino, battles their own immune systems and shows off their home base studio in Long Beach, California.
Check out these beautiful photos from the Tahoe shoot and the unconventional teaser trailer for their EP, "Behave Yourself," out January 19.
This Wednesday we've got a special bonus episode of Embedded with the always... more
-
-
shana
-
added this
-
2 years ago
- |
-
If you were too busy, you know, celebrating New Year's Eve somewhere nowhere near your house, you have a good excuse for not yet having watched the Embedded Tour Stop Specials.
But now there's no excuse at all:
Every day, we'll be highlighting one of the 15 amazing bands featured in these specials, so keep an eye on the blog.If you were too busy, you know, celebrating New Year's Eve somewhere nowhere near... more
-
-
shana
-
added this
-
2 years ago
- |
-
Join Current Music on New Year’s Eve for a marathon of all six parts of Embedded—plus three brand new special episodes where we follow road-weary musicians as they break free from life on tour.
You've seen our Tour Stops before—we staged a secret Tweet-up show with Amanda Palmer, partied on a boat with Passion Pit, shopped for thrift-store scores with Lykke Li and classic hip-hop records with K'Naan, and took miniature photos with Death Cab for Cutie's Nick Harmer—but on Thursday we'll premiere 15 all-new Tour Stops.
+ Embedded Tour Stop Special with Elvis Perkins, Raphael Saadiq, Sebastien Tellier, Emiliana Torrini & Les Savy Fav. Premieres December 31 at 8:30pm EST.
+ Embedded Tour Stop Special with White Rabbits, Black Lips, Jason Isbell, Fucked Up & Amazing Baby. Premieres December 31 at 10pm EST.
+ Embedded Tour Stop Special with Moby, Josh Ritter, Nipsey Hussle, Telepathé & Zee Avi. Premieres December 31 at 11:30pm EST.
Got big plans for NYE? Catch Embedded on New Year’s Day or over the weekend, too!
Here’s when to turn on the TV:
+ Thursday night: 12/31 starting at 7pm EST/4pm PST, then again starting at 12 midnight EST/9pm PST.
+ Friday afternoon: 1/1 starting at 4pm EST/1pm PST
+ Saturday morning: 1/2 starting at 10am EST/7am PST
+ Sunday afternoon: 1/3 starting at 5pm EST/2pm EST
And, of course, once they've aired you'll be able to watch all 15 Tour Stops at current.com/tourstop, plus our channels on Hulu, YouTube and MySpace.
Let me know who you're most excited to see on New Year's Eve and I'll do my best to dig up some behind-the-scenes details from our producers!
Join Current Music on New Year’s Eve for a marathon of all six parts of... more
-
-
shana
-
added this
-
2 years ago
- |
-
Check out this simple but stunning clip of Imogen Heap singing "Hide and Seek" at a recent gig.
Then keep one eye on Current Music Presents: Embedded for more Imogen after the New Year!
In other Imogen news:
+ Wandering through the desert with Imogen Heap
+ Soundboard: Imogen Heap's "Ellipse"
Check out this simple but stunning clip of Imogen Heap singing "Hide and... more
-
-
shana
-
added this
-
2 years ago
- |
-
Current TV is re-airing Embedded, a six-part music special that gives you intimate, exclusive access to artists, and here at the blog we’re packing in everything you need to know about each section of each show into one handy post.
We'd spent serious time with Death Cab for Cutie when documenting their album "Narrow Stairs." After that many hours with a band you'll learn plenty you weren't expecting to, like that bassist Nick Harmer is one hell of a photographer. His specialty is making "tilt-shift miniatures," photos that look as if they've been shrunk or shot from an airplane, skewing your perspective. Nick took us along for a Tour Stop segment in San Francisco, then walked us through his own post-production process.
In this outtake, Nick gives a step-by-step tutorial in Photoshop:
Here are more of Nick's own photos, from his Flickr:
Read more with senior producer Alex Simmons about shooting Nick's Tour Stop here.
Current TV is re-airing Embedded, a six-part music special that gives you... more
-
-
shana
-
added this
-
2 years ago
- |
-
In this exclusive outtake from Embedded with Ben Harper—re-airing on Current TV tonight at 11/10c—Ben talks about the eclectic music lessons he received from patrons of his family's store, the Claremont Folk Music Center. "Some of the best unsung pickers have come through this store," Ben says.
Learn more about the store at their site, and watch the blog for our ongoing virtual rewatch of the full six-part special.
In this exclusive outtake from Embedded with Ben Harper—re-airing on Current... more
-
-
shana
-
added this
-
2 years ago
- |
-
Credit: Tim Sloan/AFP/Getty Images
Check out Common with President Obama at last night's White House tree lighting ceremony! Just two nice Chicago boys.
Common talking about how Obama has raised the bar for hip-hop has always been among my favorite Embedded moments:
More of Common on Embedded can be watched here.
Credit: Tim Sloan/AFP/Getty Images
Check out Common with President Obama at last... more
-
-
shana
-
added this
-
2 years ago
- |
-
Last night I watched the premiere of a new show on Fuse, "On the Record." I hadn't actually realized until I tuned in that it is a straight-up interview show, with Touré simply grilling the musician of the week, a few cuts to various video footage, and they're done.
For all that we complain about the content on MTV or VH1 or Fuse (on this blog, on twitter, in whole videos designed to mock such things), the fact is everyone at Current Music is first and foremost a music fan, and what we want more than anything in the world is to be able to watch amazing content that digs a little deeper, goes a little further in asking all the questions that are, in essence: "Hey so-and-so, how are you so awesome?" It's just that so rarely these days do we get to see something like that that we didn't make ourselves. We have no problem saying something is great when it's great.
Here's the thing about "On the Record," or at least the first installment, in which Touré interviewed Lady Gaga for a half-hour (or, as he put it on Twitter, for 60 minutes cut down to 22). It was amazing. It was SO GOOD. I LOVED IT. And not just because I respect Gaga and what she's doing to put some higher-level thought into club bangers. Touré's a great journalist—he's penned many great long pieces for Rolling Stone, he was the only person MTV dragged out for its Michael Jackson day-of-death coverage who actually knew what he was talking about—and he did Gaga the honor of taking her seriously long enough to get an insanely compelling, can't-look-away, no-honey-I'm-not-hungry-yet-hold-on-I'm-watching interview.
So I twittered about it, saying as much as you can in 140 characters about how something's rocked your socks. Then I asked if it was going to be online (so that I could write a post like this and link/embed for you to watch right now).
This morning I found this message in my at replies:
@fusetv: @current_music glad you tuned in last night for @ladygaga! As of now the show will not be online, but we'll be airing it again.
So now, I'm sorry Fuse TV—who just won my heart back after the inanity of an episode of "The Pop Show" made me want to stab myself—now I have to go all Grumbine on you. WHAT? ARE YOU SERIOUS?
Sure, there are a few video clips on the page for this show. All it does is give you a little taste of what you're NOT GOING TO BE ABLE TO WATCH ANYWHERE ELSE.
Don't get me wrong—I understand about "driving tune-in," something that gets discussed all the time at Current. People who watch TV and the advertisers selling to them and the cable companies that cater to them are what pay the bills at a cable network.
But people who watch your programming cannot be reduced to bodies on couches in front of flat-screens. They're people who want to talk about your shows, who want to share them with their friends, who want to put it on their iPods to watch again and again because they find it just that damn inspiring. I was kind of inspired by that Gaga interview, I won't lie. But what do I do about it? Send my friends this 45-second clip and hope they're somewhere they can program their DVR to tune in at 4:30 for the repeat?
Did that work? Are you running home at lunch to set your TiVo?
Fuse, I'm almost sorry to make such an example of you, because you're hardly the only network to cheat their audience so blatantly. But this was a damn good show, one you should be proud of making as widely available as possible. And instead it was like one of the monsters in Gaga's songs, eating my heart and then my brain. Ow.
(It's not easy, and it takes time/energy/money/etc., but everything made by Current Music is on current.com/music, and almost always also on YouTube, Hulu and iTunes. Any restrictions on that comes from the owners of music rights, not us. It's not an accident or an after-the-fact add-on: to us content should go as far and wide as we can send it.)
Other rants & raves:
+ Everybody loses at the VMAs, even us
+ When performance art goes pop
+ A few of my favorite things Gaga has humpedLast night I watched the premiere of a new show on Fuse, "On the Record." I... more
-
-
shana
-
added this
-
2 years ago
- |
-
The next Flip cam is going to be wi-fi enabled!
Owners of the new pocket video camcorder will be able to record video footage and then upload it straight from the camcorder over Wi-Fi networks both private and public, a feature currently being offered in some DSLRs.
Flips -- especially those with HD -- shoot a pretty strong quality video (see our episode of Embedded with Common for some Flip footage shot by his assistant and then passed back to Current), and are way more affordable than a DSLR camera.
I've shot a little bit of concert footage using the iPhone/YouTube app, and as a fan scouring the internet for clips from shows I couldn't make it to, I've definitely noticed a decrease in lag time between actual concert and online viewing.
Would you buy a wi-fi Flip if it was, say, less than $150? What have you been shooting your best fan footage with?
The next Flip cam is going to be wi-fi enabled!
Owners of the new pocket video... more
-
-
shana
-
added this
-
2 years ago
- |
-
Check out this remix made by combining our a capella clip with Mos Def and an instrumental track. The original version shot as part of Embedded with Mos Def is below.
The original:
Current Music Presents: Embedded with Mos Def will re-air on Current TV starting Wednesday, 11/25 at 11/10c. Or, of course, you can watch it in its entirety right here!
Any other good "Casa Bey" remixes out there we should know about?Check out this remix made by combining our a capella clip with Mos Def and an... more
-
-
shana
-
added this
-
2 years ago
- |
-
It wouldn't be entirely wrong to call The Decemberists indie darlings. The band is smart, serious about their music and devoted to pushing the boundaries of what you'd expect from a rock-folk-art-inspired group from a city in the Pacific Northwest.
When senior producer Alex Simmons showed up to film them for Embedded, they had finished their album, "The Hazards Of Love," and were smack in the middle of rehearsals:
"The band was extremely busy and a little stressed when we went to interview them in Portland. They were about to go on tour for almost the entire summer and they had to learn how to play the entire album "The Hazards Of Love" straight through. That said they were really gracious and made sure every member sat down with us. Jenny inviting everyone over to her house to try Nate’s beer was icing.
"I love Portland, best coffee and beer in the world I say. So does the New York Times, which everybody was talking about when we were up there."
And it didn't end with the shoot. Though he hadn't been all that familiar with the band before working on Embedded, our editor Barry Penland went to see UCLA's "visualization" staging of the album.
"I came in having heard one or two of their songs and left standing up clapping hands overhead and yelling for more. I think it was the epic-operatic nature of that particular show... strong themes and sophisticated song and instrument arrangements. Colin's voice is so characteristic that it is all easy to write off if you don't like it—but I do like it, and so everything felt really theatrical and great.
Watch the preview for this week's Embedded below, and read more about the Decemberists at Current.com.
It wouldn't be entirely wrong to call The Decemberists indie darlings. The... more
-
-
shana
-
added this
-
2 years ago
- |
-
Silversun Pickups were back on their hometown airwaves this morning. From their drummer Christopher on the band's group Twitter:
getting ready for acoustic stuff on kevin and bean, KROQ...~x
Look familiar? If not, maybe you missed the band on an earlier visit—the day their album "Swoon" premiered, when they brought our Embedded crew along, played "Panic Switch" acoustic, and talked about how much KROQ—and morning drive time DJs Kevin & Bean—shaped their own taste in music.
Catch up below:
Silversun Pickups were back on their hometown airwaves this morning. From their... more
-
-
shana
-
added this
-
2 years ago
- |
-
[caption id="" align="alignnone" width="500" caption="Nick Harmer"][/caption]
Current Music landed some big names long before Embedded: Radiohead played all of "In Rainbows" on New Year's Eve 2006. We crashed MoMA to film a show with Sigur Ros and then let the Flaming Lips crash Current to debut their Christmas on Mars. We recruited thousands of fans to help make "All Eyes on My Morning Jacket."
But it was the time we spent with Death Cab For Cutie as the band finished their album "Narrow Stairs" and prepared to go on tour—captured in a half-hour special called "Open Windows"—that we pointed to when explaining to our bosses (and to managers, artists and record labels) just what kind of show we wanted to make more of. [Watch a preview for of the show here; sadly our rights to the full piece have expired, so it's not online.]
Spend that much time with a band and you'll learn plenty you weren't expecting to, like that Death Cab's bassist, Nick Harmer, is one hell of a photographer. His specialty is making "tilt-shift miniatures," photos that look as if they've been shrunk or shot from an airplane, skewing your perspective. Nick took us along for a Tour Stop segment in San Francisco, then walked us through his own post-production process.
In this outtake, Nick gives a step-by-step tutorial in Photoshop:
Here are more of Nick's own photos, from his Flickr:
Read more with senior producer Alex Simmons about shooting Nick's Tour Stop here. And be sure to tune in tonight at 11/10c and watch the full segment with Nick.
UPDATE: Watch the full Tour Stop with Nick Harmer, and learn a whole lot more about his love for photography and tilt-shift faking on Embedded.
[caption id="" align="alignnone" width="500"... more
-
-
shana
-
added this
-
2 years ago
- |
