tagged w/ 200 One Dollar Bills
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An iconic portrait of Elvis Presley by pop artist Andy Warhol went for $37 Million when it hit the auction block tonight at Sotheby’s. The life-size 1963 painting, “Double Elvis (Ferus Type),” epitomizes Warhol’s obsessions with fame, stardom and the public image, according to Sotheby’s. Previously estimated to sell for $30 million to $50 million, it was included in the auction house’s May 9th sale of post-war and contemporary art.
Art auctions have turned into freak-show casinos, spectacles where the uber-rich can act out as much in public as possible, trying to buy immortality, become a part of art history, make headlines and create big profits. They are despicable for what they do to art, for the bad magic of making mysteriously powerful things turn into numbers.
This piece includes a number of vintage photographs, two videos and a documentary about Warhol's art and life.
http://disembedded.wordpress.com/2012/05/09/another-freak-show-big-money-art-auction-warhols-double-elvis-brings-33-million/An iconic portrait of Elvis Presley by pop artist Andy Warhol went for $37 Million... more
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An iconic portrait of Elvis Presley by pop artist Andy Warhol is poised to go for as much as $50 million when it hits the auction block in May at Sotheby’s. The life-size 1963 painting, “Double Elvis (Ferus Type),” epitomizes Warhol’s obsessions with fame, stardom and the public image, according to Sotheby’s. Estimated to sell for $30 million to $50 million, it will be included in the auction house’s May 9th sale of post-war and contemporary art.
The silver background of “Double Elvis (Ferus Type),” along with the subtle variations in tone give the serial imagery a sense of rhythmic variation that recalls the artist’s masterpiece, “200 One Dollar Bills,” completed the previous year. That work soared to nearly $44 million or four times its estimate in 2009 and achieved the highest price of any work at the fall auctions. But it was a work from Warhol’s “Death and Disaster “series that set the artist’s record, which still stands. “Green Car Crash (Green Car Burning),” also from 1963, more than doubled its estimate and sold for $71.7 million in 2007, at the height of the art market boom.
In the “Double Elvis” work, Presley is dressed as a cowboy, shooting a gun. Sotheby’s describes him in the work as “a Hollywood icon of the sixties rather than the rebellious singer who shook the world of music in the sixties.” The double in the title refers to a shadowy image of Presley in the same pose that appears next to him in the work.
This piece includes a number of vintage photographs, a video about the Elvis portrait and a documentary about Warhol's life.
http://disembedded.wordpress.com/2012/04/29/andy-warhols-cowboy-double-elvis-could-bring-50-million-at-auction/An iconic portrait of Elvis Presley by pop artist Andy Warhol is poised to go for as... more
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Hedge fund billionaire Steve Cohen put his iconic 1963 Andy Warhol silkscreen portrait of Elizabeth Taylor on the block at Phillips de Pury’s Manhattan auction house on May 12, 2011, and it sold for $26,962,500 Million.
“Liz #5” (1963) has been described as is a rare and exquisite example of the world renowned images of feminine grace that catapulted Warhol to prominence nearly 50 years ago. This glamorous portrait of the legendary actress, Elizabeth Taylor, embodies the most important themes of Warhol’s body of work, including his fascination with celebrity, real-life drama and the fleeting nature of beauty. One of the artist’s most instantly recognized images, “Liz #5” is said to be a testament to Warhol’s unique and unrivaled contribution to the visual arts. “Liz #5” was created at the height of the Taylor’s fame, which also coincided with the most significant and creative period of Warhol’s career. The epitome of old-world Hollywood style and glamor, Elizabeth Taylor, who died on March 23rd, was one of Warhol’s most famous inspirations, along with Marilyn Monroe and Jackie Kennedy.
Taylor captured Warhol’s attention early on with her life’s high-profile romances and tragedy, a vibrancy and pathos that so attracted Warhol to her and ensured she was a formidable influence on his work throughout his career. It has been said that the power of her attraction has never been as evident as it is in this Warhol painting, which is a dazzling tribute to Elizabeth Taylor. This striking portrait is a testament to the legend and beauty of one of the world’s most beloved and iconic actresses, both capturing her very essence and transcending the limits of time.
Warhol’s 1962 Elizabeth Taylor work, “Men in Her Life,” went for $63.3 Million, the highest auction price paid in 2010 for a contemporary artwork and the second-highest auction price ever paid for a Warhol painting, behind the $71.7 Million paid in 2007 for his “1963 Green Car Crash, Green Burning Car I.” In 2009, Andy Warhol’s 1962 silk-screen painting “200 One Dollar Bills” sold for $43.8 Million at Sotheby’s, more than four times its estimated selling price. Unfortunately, Warhol wasn’t around to enjoy the fabulous joke of his pictures of money grabbing so much money. The seven-and-a-half-foot-wide canvas, one of Warhol’s first silk-screen paintings, looks like just what you’d think: 200 one-dollar bills. Yes, if you just take a wide look at today’s contemporary art world, that confection of bucks, puff and street smarts, you realize anew that Andy Warhol was the big daddy of it all!!
This piece includes a number of high-resolution color photographs, a photo-gallery and three documentary short films.
http://disembedded.wordpress.com/2011/05/12/warhol’s-iconic-liz-taylor-portrait-gets-26962500-million-at-auction/Hedge fund billionaire Steve Cohen put his iconic 1963 Andy Warhol silkscreen portrait... more
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On May 12th, a rare nine-foot-square self-portrait by Andy Warhol, his “Purple-Hued Fright Wig” painting, was offered for auction at Sotheby’s Contemporary Art Evening Sale in New York City. Warhol’s painting had an estimated value of $10,000,000—15,000,000, but after heated bidding the painting sold for $32,562,500. The self-portrait had been put up for auction by the fashion designer Tom Ford, who acquired the acrylic and silkscreen ink work in 1998 from the estate of the artist. Warhol’s iconic and rare self-portrait was executed in 1986, just prior to his unexpected death the following year.
From the young artist in the photo-booth and The Factory of the 1960s, to the art-world elder statesman contemplating his own mortality, Warhol’s self-portraits stand out as an unparalleled body of work. Andy Warhol’s lifelong obsession with self-portraiture and mortality was enhanced by three dangerous encounters during the 1960s. The most dangerous experience occurred on June 3, 1968 when the deranged Valerie Solanas entered The Factory and shot Warhol, who was gravely injured and lucky to have survived. The close encounter with death subsequently inspired the artist to produce numerous self-portraits, culminating in his fright-wig paintings.
Ford’s decision to sell his Warhol self-portrait came after auction houses had achieved astounding results with the artist’s works. Warhol’s 1963 Green Car Crash went for $71.7 Million at Christie’s in 2007, and his 1962 silk-screen painting 200 One Dollar Bills sold for $43.8 million at Sotheby’s in 2009.
This piece includes colorful photographs, a slide show of Warhol's self-portraiture, and a short film about the painting.
http://disembedded.wordpress.com/2010/05/13/andy-warhols-purple-fright-wig-self-portrait-sells-for-32562500/On May 12th, a rare nine-foot-square self-portrait by Andy Warhol, his... more
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On May 12th, a rare nine-foot-square self-portrait by Andy Warhol, his Purple-Hued Fright Wig painting, will be offered for auction at Sotheby’s Contemporary Art Evening Sale in New York City. The self-portrait is currently owned by the fashion designer Tom Ford, who acquired the acrylic and silkscreen ink work in 1998 from the estate of the artist. Warhol’s iconic and rare self-portrait was executed in 1986, just prior to his unexpected death the following year.
From the young artist in the photo-booth and The Factory of the 1960s, to the art-world elder statesman contemplating his own mortality, Warhol’s self-portraits stand out as an unparalleled body of work. Andy Warhol’s lifelong obsession with self-portraiture and mortality was enhanced by three dangerous encounters during the 1960s. The most dangerous experience occurred on June 3, 1968 when the deranged Valerie Solanas entered The Factory and shot Warhol, who was gravely injured and lucky to have survived. The close encounter with death subsequently inspired the artist to produce numerous self-portraits, culminating in his fright-wig paintings.
Ford’s decision to sell his Warhol self-portrait comes after auction houses have achieved astounding results with the artist’s works. Warhol’s 1963 Green Car Crash went for $71.7 Million at Christie’s in 2007, and his 1962 silk-screen painting 200 One Dollar Bills sold for $43.8 million at Sotheby’s in 2009.
This piece includes a number of colorful pictures, a slide show and a video about the painting.
http://disembedded.wordpress.com/2010/05/10/warhols-self-portrait-the-monumental-purple-hued-fright-wig-painting/On May 12th, a rare nine-foot-square self-portrait by Andy Warhol, his Purple-Hued... more
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200 One Dollar Bills: Andy Warhol’s Fabulous Joke
Unfortunately, Andy Warhol’s not around to enjoy the fabulous joke of his pictures of money grabbing so much money. His 1962 silk-screen painting “200 One Dollar Bills” sold for $43.8 million at Sotheby’s this week, more than four times its estimated selling price. The seven-and-a-half-foot-wide canvas, one of Warhol’s first silk-screen paintings, looks like just what you’d think: 200 one-dollar bills. The current record for a Warhol painting is $71.7 million for “Green Car Crash,” which was sold at Christie’s in 2007. Yes, if you just take a wide look at today’s contemporary art world, that confection of bucks, puff and street smarts, you realize anew that Andy Warhol was the big daddy of it all.
But is this painting, a solid wall of greenbacks, really beautiful? Well, in the art world Warhol completely changed our idea of beauty so, yes, it is. He was also one of the first modern artists to say out loud that money itself is beautiful, is art, which has helped create the reality that, aesthetically speaking, it is as often as not, the price tag, not what it’s attached to, that generates value. So the new owner of “200 One Dollar Bills” got a funny old print on canvas all tarted up with some paint, which he or she succeeded in making super-famous and valuable by paying so much for it. Wow. That’s talent. And as for Warhol, did he already suspect in 1962 that in making his art he would be so good at printing money for many, many years? He was such a cultural clairvoyant, you just know he knew.
This piece includes photographs of Warhol's painting, as well as the short video, “Warhol's 200 One Dollar Bills.”
To view Warhol's painting and the video, please visit my website:
http://disembedded.wordpress.com/2009/11/14/200-one-dollar-bills-andy-warhols-fabulous-joke/200 One Dollar Bills: Andy Warhol’s Fabulous Joke
Unfortunately, Andy... more
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